2/18/2024 0 Comments Night moves 1975 castHe travels to the film location and talks to Marv and stunt coordinator Joey Ziegler. Harry realizes that the injuries to Quentin's face are from fighting the stuntman and sympathizes with his bitterness towards Delly. Quentin tells Harry that he last saw Delly at a New Mexico film location, where she started flirting with one of Arlene's old flames, stuntman Marv Ellman. Arlene gives Harry the name of one of Delly's friends in Los Angeles, a mechanic called Quentin. Arlene's only source of income is her daughter's trust fund, but it requires Delly to be living with her. He discovers that his wife Ellen is having an affair with a man named Marty Heller.Īging former actress Arlene Iverson hires Harry to find her 16-year-old daughter Delly Grastner. Harry Moseby is a retired professional football player now working as a private investigator in Los Angeles. In 2010, Manohla Dargis described it as "the great, despairing Night Moves (1975), with Gene Hackman as a private detective who ends up circling the abyss, a no‑exit comment on the post-1968, post- Watergate times." Plot The original screenplay is by Scottish writer Alan Sharp.Īlthough Night Moves was not considered particularly successful at the time of its release, it has attracted viewers and significant critical attention following its videotape and DVD releases. The film has been called "a seminal modern noir work from the 1970s", which refers to its relationship with the film noir tradition of detective films. Hackman was nominated for a BAFTA Award for his portrayal of private investigator Harry Moseby. Its plot follows a Los Angeles private investigator who uncovers a series of sinister events while searching for the missing teenage daughter of a former movie actress. It works as about two thrillers.Night Moves is a 1975 American neo-noir film directed by Arthur Penn, and starring Gene Hackman, Jennifer Warren, Susan Clark, with supporting performances from Melanie Griffith and James Woods. By the movie's end, and especially during its last shock of recognition, we've been through a wringer. These are all the trademarks of the Lew Archer novels by Ross MacDonald especially the little-girl-lost theme, and Alan Sharp's screenplay uses them infinitely better than "The Drowning Pool" did - even though that was actually based on a Macdonald book. The plot involves former and present lovers of the girl and her mother, sunken treasure (yes, sunken treasure), conflicts across the generations and murders more complex by far than they seem at first. Miss Warren creates a character so refreshingly eccentric, so sexy in such an unusual way, that it's all the movie can do to get past her without stopping to admire. The mistress is played by a relatively unknown actress and sometime singer named Jennifer Warren, who has the cool gaze and air of competence and tawny hair of that girl in the Winston ads who smokes for pleasure and creates waves of longing in men from coast to coast. And from the moment he sets eyes on the stepfather's mistress, the movie, which has been absorbing anyway, really takes off. Harry traces the missing girl to her stepfather, a genial pilot in the Florida Keys, and goes there to bring her back. His confrontation with the man, like so many scenes in the movie, is done with dialog so blunt in its truthfulness that the characters really do escape their genre. Harry takes the case, pausing only long enough to track down his own missing wife - who is, it turns out, having a not especially important, affair with a man with a beach house in Malibu. He's a private detective for reasons, vaguely hinted at, involving his childhood.Ī Hollywood divorcee, clinging to the last shreds of a glamor that once won her a movie director (and half the other men in town, she claims) hires him to trace down her missing daughter. He's a former pro football player and a man of considerable intelligence, whose wife ( Susan Clark) runs an antique business. The eye this time is named Harry Moseby, perhaps with a nod toward Hackman's great performance as Harry Caul in " The Conversation," perhaps not.
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